A blog made for great music

xsanityisfortheweakx:

zohbugg:

justamerplwithabox:

vivelafat:

prokopetz:

officialdeadparrot:

grellholmes:

elsajeni:

gunslingerannie:

justtkeepcalmm:

dean-and-his-pie:

fororchestra:

musicalmelody:

Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasn’t soft enough for him. So getting frustrated, I told my buddy “Dont play this time. Just fake it” 
Our Band Director then informed us we sounded perfect. 

To my readers: “p” means quiet, “pp” means really quiet. I’ve never seen “pppp” before haha.
On the contrast, “f” means loud, and “ffff” probably means so loud you go unconscious.

I had ffff in a piece once and my conductor told me to play as loudly as physically possible without falling off my chair…

Me and my trombone buddies had “ffff” and he sat next to me and played so hard that he fell out of his chair.
The lengths we go for music.

Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek.

One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section — whispering, and pointing at something in the music, and swatting at each other’s hands all shhh don’t call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, “All right, let’s run through it up to section A.”
And here we are, cheerfully playing along, sounding reasonably competent — but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They don’t come in for the first eight measures or so, and then when they do come in, what we see is:
[stifled giggling]
[reeeeeeally deep breath]
[COLOSSAL FOGHORN NOISE]
The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn’t actually been cued to stop. The band director doesn’t even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture.
In unison, the tuba players defend themselves: “THERE WERE FOUR F’S.”
FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why would you put it in a tuba part.

This is the best band post 
Everyone else go home

Oh man, so I play trombone, and we got this piece called Florentiner Marsch by Julius Fucik, and we saw this

which is 8 fortes. We were shocked until,

that is 24 fortes who the fuck does that

Who does that?

This guy. Take a good look - that is the moustache of a man with nothing to lose.

Julius IdontgivaFucik

More like Julius Fuckit

this post just kept getting better and better

As an ex-musician, I’ll never not reblog this.

Every single comment is worth reading

xsanityisfortheweakx:

zohbugg:

justamerplwithabox:

vivelafat:

prokopetz:

officialdeadparrot:

grellholmes:

elsajeni:

gunslingerannie:

justtkeepcalmm:

dean-and-his-pie:

fororchestra:

musicalmelody:

Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasn’t soft enough for him. So getting frustrated, I told my buddy “Dont play this time. Just fake it” 

Our Band Director then informed us we sounded perfect. 

To my readers: “p” means quiet, “pp” means really quiet. I’ve never seen “pppp” before haha.

On the contrast, “f” means loud, and “ffff” probably means so loud you go unconscious.

I had ffff in a piece once and my conductor told me to play as loudly as physically possible without falling off my chair…

Me and my trombone buddies had “ffff” and he sat next to me and played so hard that he fell out of his chair.

The lengths we go for music.

Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek.

One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section — whispering, and pointing at something in the music, and swatting at each other’s hands all shhh don’t call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, “All right, let’s run through it up to section A.”

And here we are, cheerfully playing along, sounding reasonably competent — but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They don’t come in for the first eight measures or so, and then when they do come in, what we see is:

[stifled giggling]

[reeeeeeally deep breath]

[COLOSSAL FOGHORN NOISE]

The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn’t actually been cued to stop. The band director doesn’t even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture.

In unison, the tuba players defend themselves: “THERE WERE FOUR F’S.”

FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why would you put it in a tuba part.

This is the best band post 

Everyone else go home

Oh man, so I play trombone, and we got this piece called Florentiner Marsch by Julius Fucik, and we saw this

image

which is 8 fortes. We were shocked until,

image

that is 24 fortes who the fuck does that

Who does that?

This guy. Take a good look - that is the moustache of a man with nothing to lose.

Julius IdontgivaFucik

More like Julius Fuckit

this post just kept getting better and better

As an ex-musician, I’ll never not reblog this.

Every single comment is worth reading

(Source: housecatincarnate, via universalmindlattice)

I just found this picture from when I was tracking drums for a demo song of my band some months ago.
I can`t believe that since then, we already finished a studio recording and are already planing gigs for it`s presentation.
Time flies when you are having fun, no doubt.

I just found this picture from when I was tracking drums for a demo song of my band some months ago.

I can`t believe that since then, we already finished a studio recording and are already planing gigs for it`s presentation.

Time flies when you are having fun, no doubt.

“The job of a mixer is to find the pure essence of a song and take it to a new level. You ask yourself how a song makes you feel, and why it makes you feel that way. And with every change you make you wonder: does it make me feel better, or not? It’s not about the equipment, but about what you do with it. We all use the same tools. Instead your job is to find an emotional connection with the song, and trust your own feelings. When you do, other people will get it too”
— Manny Marroquin (via sosound)

(via sam-thebassist)

deebeeus:

Gibson Custom Les Paul Special, Marshall JTM-1 and Peterson Stroboflip tuner.

deebeeus:

Gibson Custom Les Paul Special, Marshall JTM-1 and Peterson Stroboflip tuner.

In the studio right now, listening to the mix of our new cd. It sounds incredible

In the studio right now, listening to the mix of our new cd. It sounds incredible

I never get tired of these guys. This is a great video.

Be it playback or not, the idea and the quality in this video is excellent.

deebeeus:

It’s no secret that this winter has been what I would charitably call “a b*tch”.  All across North America (and maybe where you live too?) it has been colder than ever and snowier than ever.  

The latest affront came on Wednesday.  After the warmest day all year on Tuesday (+12 degrees C - I was f*cking ecstatic!) we got walloped with over 1 foot of snow and temperatures well below zero again!

Well…I have pretty much had my fill of winter.  So I pulled out all of of my “warmest” looking guitars and took some photos.  Anything with a yellow or orange finish has been included.  All the “sunbursts”  all the “fiestas”, and even the blondes and TV yellows.  Anything in the collection with a “warm” colour.  If it’s not going to be warm outside…then I’ll make it at least look warm in here!   

I threw in some shots of outside (including a couple of the guy that was plowing my street!) so you can get a feel for what I am complaining about!

Oh, and I’ll say it AGAIN:  F*CK YOU WINTER!

I feel like I need every guitar in those pictures